Movie explorer pro import from my movies12/12/2023 ![]() Premiere also has options for Scale to Frame Size and Fit to Frame Size.īut Premiere Pro uses more RAM and GPU memory the more images you import-and the larger they are. Auto-Scale Your Stills before ImportĮspecially if you have a decent Graphics Card (GPU), playing back still image montages, scaling and zooming inside still images, etc. You can also change the duration of stills from the bin and in a sequence. Figure 06: Still Image Default Duration Preference If you find yourself always adjusting the duration of still images in the timeline, you can save some time by setting a different default duration in Timeline preferences. Figure 05: Preferences for RAM usage Set the Default Still Image Duration Your system may get a bit slower, but will be more stable. To avoid instability issues, you can set the memory preferences to Optimize Rendering for Memory, instead of the default, which is Performance. ![]() Premiere uses quite a bit of RAM when editing still images. Figure 04: Set Your Rendering Preferences If you don’t have Photoshop, you can use an online converter like CMY2RGB to convert the image to RGB colors. Figure 03: Error importing a TIF image with CMYK colors Nevertheless, the file will not work, so you’ll need to convert it to RGB colors in Photoshop or a third-party software. It’s the color space, not the compression that’s unsupported. If you try to import it, you’ll get an error message, saying it’s got an unsupported compression type-see Figure 3. This is a TIF image that’s made with CMYK colors, meant for printing. One file in Figure 2 has no preview, just an icon from the app that’s set to open it by default. There are a few things you should check first, and fix if necessary, to ensure a trouble-free editing experience. Figure 01: Images in a folderįigure 02: Folder viewed in Media Browser Preparationĭon’t just import your still images and start editing. Two files do not show up at all in the Media Browser-the RAW images from a Canon DSLR and a Nikon DSLR. ![]() Figure 2 shows the same folder viewed in the Media Browser inside Premiere. There are two noteworthy exceptions, though: CMYK images and Camera RAW files are not supported.įigure 1 shows the files in a folder in Windows Explorer. Most images you throw at Premiere will just work. So, 32K × 8K can be imported, as can 16K × 16K-but not 32K × 32K. You can import still images that are up to 32K in either dimension, but the image must have less than 256 megapixels total. You can easily restore that slomo effect with almost any video editing software by slowing down the video (to 30fps, or any other speed for that matter), just as your iPhone would do - you just have to do it manually (which could be better in some cases).Īlternatively, you should be able to imessage your video from your phone to your Mac without any considerable quality loss.Still images are widely used in documentaries, news stories, show openers, wedding videos, corporate movies and other video productions, and Premiere Pro has very good support for still image formats. When you import the file onto your computer, it is just a 120fps video file - it doesn't know when or where to convert it to 30fps, which is why it appears as if it "lost" the slomo when really it's playing in its native 120fps. So, when you playback a video the iPhone is converting the selected section of the 120fps video into 30fps, giving it the slow motion effect - the whole video COULD be watched at a normal speed with no problem. This is significant because if you were to playback that video at 30 fps, the videos would appear to be playing in smooth slow motion because there is 4 times the frames to display. Rather, it's shot at 120 frames per second, a typically higher frame rate than normal video recording. The video itself isn't shot in "slomo", so to speak. The reason importing it directly onto your computer doesn't appear to work is due to the way the iPhone plays back slomo videos.
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